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1939
Vestida por el gran ORRY KELLY para DARK VICTORY el que consideraba su mejor rol,por Hurrell.Aunque tambien tiene sesiones con B Six
Ya colgaré más de la peli.


Ninotchka en la otra es registrarte y YA....de lo mejor que pulula,qué cantidad de material ocioso.

Madeleine Elster escribió: 28 Oct 2020, 23:16 @Ninotchka en la otra es registrarte y YA....de lo mejor que pulula,qué cantidad de material ocioso.

Genial, me registraré y ya en otro momento me pondré a indagar en el asunto, que estos días voy a estar un poco ausente liada con el curro. Menudo 'annus horribilis', la Virgen!

Un par de retratos a color:

c. 1938

c. 1940

"Fashions of 1934"

CINELANDIA MAGAZINE,1930's

Beyond The Forest (1949)

Dona Drake también hace un trabajo brutal.

1939: Bette Davis for her role in 'Dark Victory' directed by Edmund Goulding. (Photo by George Hurrell)







Sesión publi de la peli con Hurrell,alguna repe XD
Click!
https://i.ibb.co/qxG93Fc/V9Bb5uk.jpg


By the way a ver si pillo un behind the ... en LA LOBA con un artículo muy chulo que leí hace días por esos mundos...

Ninotchka escribió: 17 Ago 2020, 21:36

Winter themed portraits of Bette Davis by Bert Longworth, c.1934

https://images2.imgbox.com/93/25/umatCsZE_o.jpg

https://images2.imgbox.com/45/8a/2GC5KQDV_o.jpg

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For Warner Bros Studios, 1940. via John Kobal Foundation
https://johnkobal.org


Qué bien se lo tenía que pasar con todas estas sesiones publicitarias NO
Wearing a ballgown in front of a mirrored wall, for Warner Bros Studios, 1931. via John Kobal Foundation



Sitting on a balcony overlooking a city, for Warner Bros Studios, 1937. via John Kobal Foundation


Posing with her arms in the air and a large corsage on her chest, for Warner Bros Studios, 1930. via John Kobal Foundation



1932 by Irving Lippman

At home by Ray Jones.1931

Harpers Bazaar, May 1938

Bette Davis photographed by Louise Dahl-Wolfe, Hollywood 1938

January, 1941: Bette Davis on the cover of Glamour magazine, by John Rawlings

Usted retrató a grandes iconos de los años 60, ¿quiénes le sorprendieron más?

He retratado a algunos, no a todos. La que más me sorprendió fue Bette Davis: lista, franca, directa al grano. Las arrugas de su cara contaban la historia de su vida, y la compartió conmigo de una forma abierta y sincera. Disfruté mucho al fotografiarla. Me enseñó que: “no entiendes nada de la vida hasta que no te has divorciado varias veces.” — Extracto entrevista a Lawrence Schiller, mayo 2013

Bette Davis, por Lawrence Schiller, 1962

April 1986: Bette Davis at home in her Beverly Hills house seated in front of a portrait of herself (photo by Terry O' Neill)

1930s Photograph by Elmer Fryer.

“Hollywood had its own type of reality and the Misses Crawford, Shearer and Dietrich were gorgeously glamorous.
Part of me envied them. They were so beautiful. I knew it was possible with my ambitions for acting rather than for glamour that I might never equal their popularity. But I was I!” - Bette, in "The Lonely Life"

1963: Bette Davis for Vogue Magazine by Peter Rand

"This was no Jean Harlow. This was no obviously sexy, glamorous person. But she was so human. There was this strength, which appealed to women. And vulnerability, too. She was complicated and human... and that's what made her so brilliant.
Just watching Bette Davis on the screen was empowering to women, I think. Certainly was to me. It was like, 'This is what's possible; this is the range and depth that is possible for a woman.' Enough already with these one-dimensional women. She extended our range of possibilities." -Jane Fonda, interviewed for "Stardust: The Bette Davis Story"

Bette Davis photographed by Irving Chidnoff circa 1929

Bette Davis photographed by Loomis Dean | September, 1947