"The Divorcee" (Robert Z. Leonard, 1930)
Fotografía: Norbert Brodine
Re: Cine Pre-Code (1930-1934)
306Re: Cine Pre-Code (1930-1934)
307Ninotchka escribió: 04 Abr 2019, 22:21 Recuento de capturas de películas:
1. "Fashions of 1934" (William Dieterle, 1934): viewtopic.php?f=25&t=3248
2. "The Mask of Fu Manchu" (Charles Brabin, Charles Vidor, 1932): viewtopic.php?f=25&t=3248&start=60
3. "The Girl from Missouri" (Jack Conway, 1934): viewtopic.php?f=25&t=3248&start=80
4. "Baby Face" (Alfred E. Green, 1933): viewtopic.php?f=25&t=3248&start=120
5. "Grand Hotel" (Edmund Goulding, 1932): viewtopic.php?f=25&t=3248&start=160
6. "Three on a Match" (Mervyn LeRoy, 1932): viewtopic.php?f=25&t=3248&p=1164683#p1164683
7. "Dracula" (Tod Browning, 1931): viewtopic.php?f=25&t=3248&start=240
8. "The Scarlet Empress" (Josef von Sternberg, 1934): viewtopic.php?f=25&t=3248&p=1408909#p1408909
9. "Man Wanted" (William Dieterle, 1932): viewtopic.php?f=25&t=3248&start=280
10. "The Divorcee" (Robert Z. Leonard, 1930): viewtopic.php?f=25&t=3248&start=300
Re: Cine Pre-Code (1930-1934)
309Ninotchka esa de B Lullaby dio paso recientemente a la maravillosa Frantz de Ozon que estupendo remake ojalá fueran todos así
Re: Cine Pre-Code (1930-1934)
311Anda, pues no tenía ni idea de que la de Ozon es un remake. De todos modos, tampoco la he visto, así que la original (que espero poder ver en breve) me pilla totalmente de nuevas.
Por cierto, acabo de encargar estos dos packs, principalmente porque en todas las pelis aparecen Joan Blondell y Glenda Farrell juntas o por separado:
Por cierto, acabo de encargar estos dos packs, principalmente porque en todas las pelis aparecen Joan Blondell y Glenda Farrell juntas o por separado:
Re: Cine Pre-Code (1930-1934)
312"Merry Wives of Reno" dicen que es parecida a "Convention City", una película que hoy por hoy se considera perdida:
Convention City (lost risqué comedy film; 1933)
Convention City is a 1933 comedy film produced by Warner Bros. It was notable for its risqué humor, lewd dialogue, and full-frontal nudity. This film was among those responsible for the implementation of The Hayes Code, which censored sex and violence in Hollywood movies.
During production, Jack Warner urged costume designer Hal Wallis many times to tone down the costumes in the film. Fearing the film's artistic vision would be compromised, Wallis refused to make the costumes more family-friendly. Warner also ordered for a few lines to be cut from the film, of which only a few were. When the film opened, it was heavily censored and banned outright in certain areas despite its critical acclaim. Many theaters destroyed their copies of the film, thinking it promoted corrupt morals and anti-Christian messages.
Warner Bros reportedly "junked" all remaining copies of the film in 1948. A movie theater in Spain continued to show the film as late as 1942 and reportedly held onto its copy. This copy, though, has yet to be found. Over 200 production stills, as well as the script, survive. No copies of the film have surfaced after its apparent destruction.
In the 1990s, it became the only film whose stock footage has survived longer than the actual film itself. Stock footage of various Atlantic City establishing shots was discovered in a studio vault. In 1994, a dramatic reading of the film's script was held at a pre-Hayes Code film festival.
https://lostmediawiki.com/Convention_Ci ... ilm;_1933)
Re: Cine Pre-Code (1930-1934)
315Re: Cine Pre-Code (1930-1934)
316Madeleine Elster ¿Ya viste la peli del museo de cera?
A mi con "Broken lullaby" hubo momentos en que se me saltó la lagrimilla la historia es muy emotiva. Más adelante buscaré también la versión de Ozon.
A mi con "Broken lullaby" hubo momentos en que se me saltó la lagrimilla la historia es muy emotiva. Más adelante buscaré también la versión de Ozon.
Re: Cine Pre-Code (1930-1934)
317Re: Cine Pre-Code (1930-1934)
320La peli del museo apunta bien pero no me he puesto con ella totalmente