Madeleine Elster escribió: 28 Oct 2020, 23:16 @Ninotchka en la otra es registrarte y YA....de lo mejor que pulula,qué cantidad de material ocioso.

"Fashions of 1934"

CINELANDIA MAGAZINE,1930's

Beyond The Forest (1949)

Ninotchka escribió: 17 Ago 2020, 21:36

Winter themed portraits of Bette Davis by Bert Longworth, c.1934

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Harpers Bazaar, May 1938

Bette Davis photographed by Louise Dahl-Wolfe, Hollywood 1938

Usted retrató a grandes iconos de los años 60, ¿quiénes le sorprendieron más?

He retratado a algunos, no a todos. La que más me sorprendió fue Bette Davis: lista, franca, directa al grano. Las arrugas de su cara contaban la historia de su vida, y la compartió conmigo de una forma abierta y sincera. Disfruté mucho al fotografiarla. Me enseñó que: “no entiendes nada de la vida hasta que no te has divorciado varias veces.” — Extracto entrevista a Lawrence Schiller, mayo 2013

1930s Photograph by Elmer Fryer.

“Hollywood had its own type of reality and the Misses Crawford, Shearer and Dietrich were gorgeously glamorous.
Part of me envied them. They were so beautiful. I knew it was possible with my ambitions for acting rather than for glamour that I might never equal their popularity. But I was I!” - Bette, in "The Lonely Life"

"This was no Jean Harlow. This was no obviously sexy, glamorous person. But she was so human. There was this strength, which appealed to women. And vulnerability, too. She was complicated and human... and that's what made her so brilliant.
Just watching Bette Davis on the screen was empowering to women, I think. Certainly was to me. It was like, 'This is what's possible; this is the range and depth that is possible for a woman.' Enough already with these one-dimensional women. She extended our range of possibilities." -Jane Fonda, interviewed for "Stardust: The Bette Davis Story"